Faure: Dolly op. 56, for Piano Four-hands

Gabriel Faur Christiane Strucken-Paland (Editor)Andreas Groethuysen (Fingering) The six pieces in this little suite were written between 1893 and 1896. They were inspired by Hlne...

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Gabriel Faur

Christiane Strucken-Paland (Editor)

Andreas Groethuysen (Fingering)

The six pieces in this little suite were written between 1893 and 1896. They were inspired by Hlne Bardac, the daughter of a singer with whom he was friends. The girl was born in 1892 and called Dolly on account of her small, delicate figure. The pieces, composed mainly for her birthday or the New Year, reflect the world as experienced by the growing child, from a lullaby to a temperamental dance. But it was not meant to be taken too seriously, as shown by the subtle allusions to his own music and that of others. Despite their simple basic structure these pieces, which soon became popular, contain numerous harmonic and rhythmic subtleties typical of the French composer – children’s music that is also well suited to adults.

Dolly op. 56

Berceuse op. 56,1
Mi-a-ou op. 56,2
Le Jardin de Dolly op. 56,3
Kitty-Valse op. 56,4
Tendresse op. 56,5
Le Pas espagnol op. 56,6

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